This dissertation utilizes the motif of the traveling exhibition show in order to analyze how the Massachusetts Magazine (1789–96) participated in the cultural discussion regarding the construction of the American woman in the new nation. Although others have focused on the role of women in America (i.e., “Republican Motherhood”), I assert that whatever situation a woman found herself in—single, married, widowed—there were bodily standards that cut across these roles and applied to all women. Both the visual and verbal elements of the exhibits that appear in this magazine reveal that the body of this ideal national type was based on scientific theories of race and gender which, in turn, determined a woman\u27s position in the new nation. Ch...
This dissertation expands the definition of women’s social activism to include the innovative work o...
In the years surrounding the Enlightenment and the American Revolution, Americans began critiquing s...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
My dissertation investigates the “museum” as a site of cultural politics intersecting with the spect...
A runaway commercial success in the nineteenth century, the monthly periodical Godey’s Lady’s Book w...
This thesis is an examination of the American Girl archetype on the covers of the Ladies\u27 Home Jo...
textThis dissertation constructs a cultural history of women's performances in Boston from 1762-1823...
This thesis explores how 'womanhood' was defined by a group of sixteen women publicists in mid-ninet...
The purpose of this study was to better understand the ways in which American women were portrayed d...
Ocular Demonstrations is a. feminist literary study of the theoretical implications of cross-dressin...
The turn of the twentieth century in the United States witnessed social events that disrupted and tr...
Cultural Reconstruction asks: How did the U.S. develop a national culture simultaneously unified and...
This paper constitutes a comparative analyis of the way in which late eighteenth century French and ...
University of Minnesota Ph.D. dissertation. December 2016. Major: Art History. Advisors: Jennifer Ma...
Citation: Umberger, May Ernestyne. The mind of woman. Senior thesis, Kansas State Agricultural Colle...
This dissertation expands the definition of women’s social activism to include the innovative work o...
In the years surrounding the Enlightenment and the American Revolution, Americans began critiquing s...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
My dissertation investigates the “museum” as a site of cultural politics intersecting with the spect...
A runaway commercial success in the nineteenth century, the monthly periodical Godey’s Lady’s Book w...
This thesis is an examination of the American Girl archetype on the covers of the Ladies\u27 Home Jo...
textThis dissertation constructs a cultural history of women's performances in Boston from 1762-1823...
This thesis explores how 'womanhood' was defined by a group of sixteen women publicists in mid-ninet...
The purpose of this study was to better understand the ways in which American women were portrayed d...
Ocular Demonstrations is a. feminist literary study of the theoretical implications of cross-dressin...
The turn of the twentieth century in the United States witnessed social events that disrupted and tr...
Cultural Reconstruction asks: How did the U.S. develop a national culture simultaneously unified and...
This paper constitutes a comparative analyis of the way in which late eighteenth century French and ...
University of Minnesota Ph.D. dissertation. December 2016. Major: Art History. Advisors: Jennifer Ma...
Citation: Umberger, May Ernestyne. The mind of woman. Senior thesis, Kansas State Agricultural Colle...
This dissertation expands the definition of women’s social activism to include the innovative work o...
In the years surrounding the Enlightenment and the American Revolution, Americans began critiquing s...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...